Getting Started
Syllabus
How to Post in Discussion and to Boards
Screenwriting Tool – Plotbot
Course Schedule
All Quiet on the Western Front
War, Memory and Politics
Battle of Algiers
The Battle of Algiers, Censorship and the ‘Memory Wars’
Battle of Algiers Screenplay
An Interview with Said Yusef
Outsiders – Review
What Does the Pentagon See in ‘Battle of Algiers’?
Apocalypse Now
Apocalypse Lies
Apoc Now Original Screenplay
Apoc Now Redux Screenplay
Atanarjuat / The Fast Runner
Atanarjuat, The Fast Runner: Culture, History, and Politics in Inuit Media
Reading Nanook’s Smile
Map
Raise the Red Lantern
Film Policy in China
Akira Kurosawa’s Dreams
Translating Kurosawa
The Principles of Classical Japanese Lit
Kurosawa’s Dreams: A Cinematic Reflection of a Traditional Japanese Context
Stanford Guide to Japanese Noh Theater
Hotel Rwanda
Hero Who Fought Genocide
Hotel Rwanda – Without the Hollywood Ending
Leave None to Tell the Story (Full Report)
Hotel Rwanda Screenplay
11’09″01 September 11
Review: Sight and Sound
Review: Senses of Cinema
No Man’s Land
The Contemporary War Movie
UAF Journalism in Iraq
Persepolis
Persepolis 2.0
Rapture
Turtles Can Fly
Cinema of a Stateless Nation
Tsotsi
Redeeming Features
Towards a Third Cinema
Paradise Now
Interview with Hany Abu-Assad
The Hurt Locker
Discussion
Criticism
Screenwriting
Work Sharing Space
Soldier and Citizen Cinema – Post 9/11 Film
